Thursday, January 18, 2018

Percy

Walker Percy in his 1971 dystopian novel Love in the Ruins paints a picture of a morally degenerate America consumed by hedonism, wallowing in ignorance, led by kleptocrats and fools, fragmented into warring and often violent cultural extremes and on the cusp of a nuclear war. It is a country cursed by its failure to address or atone for its original sins of genocide and slavery. The ethos of ceaseless capitalist expansion, white supremacy and American exceptionalism, perpetuated overseas in the country’s imperial wars, eventually consumes the nation itself. The accomplices, who once benefited from this evil, become its victims. How, Percy asks, does one live a life of meaning in such a predatory society? Is it even possible? And can a culture ever regain its equilibrium when it sinks into such depravity?

The single-minded pursuit of happiness, with happiness equated with wealth and power, creates a population consumed by anxiety and self-loathing. Few achieve the imagined pinnacle of success, and those who do are often psychopaths. Building a society around these goals is masochistic. It shuts down any desire for self-knowledge because the truth of our lives is unpleasant. We fill the spiritual vacuum with endless activities, entertainment and nonstop electronic hallucinations. We flee from silence and contemplation. We are determined to avoid facing what we have become.
All of Chris Hedges's brilliant, impassioned reading of Love in the Ruins can be found here.

And here for the novel itself.